10 Cliche Sci-Fi Fans Are Tired Of

As much as fans of the genre enjoy tales of interstellar travel, artificial life forms and extraterrestrials, superpowers, and cautionary tales about overdependence on technology, there are pieces of the sci-fi genre that have been overplayed and overused in recent years. Indeed, there are exceptions to the rule, especially if they change the cliché like they did with the superpowers in Stranger Things or AI in Upgrade, but certain tropes have become weary and old-fashioned.

Evil robot uprisings, post-apocalyptic deserts, and stuff like that are about a dime a dozen. While it’s true that some cliches might make a good film, even an Oscar-winning film, they only become old news after a certain point.

10 Tight Jumpsuits

X-Men in First Class

For some reason, the decision was made that the standard outfit for films set in outer space, the future, or other planets were fitted jumpsuits. Granted, some settings make sense like Nostromo or the average space station. But when superheroes start wearing skin-tight gear to fight bad guys, it gets a little ridiculous.

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They may be practical and multiple scenarios, but come into question when they start appearing in every future version or space travel. Logically speaking, fashion designers will evolve with time as well.

9 humanoid aliens

By their mere definition, aliens need to be something beyond human comprehension. Since they didn’t evolve from Earth, they shouldn’t look like Earthlings. But for some reason, modern aliens are starting to look more and more like better versions of humans with less physical variations.

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Engineers at Ridley Scott’s Prometheus is a great example. Since they were supposed to be a great race of cosmic beings, they shouldn’t look like bald pale humans. It’s time for aliens to look like aliens again.


8 Zombies Created By Science

A male zombie in The Walking Dead.

Zombies have come a long way since the days of George Romero, but they seem to have forgotten where they came from. Right now, it seems like the only way to get a zombie outbreak is with some kind of science experiment gone wrong or some form of terrible disease. There was a time when zombies meant bringing the dead back to life, not the aftermath of a nuclear catastrophe.

It’s been so long since audiences have seen more traditional zombies. The genre needs to go back to the days of voodoo, ancient curses, and unethical experiments involving the forces of life and death. Frankly, zombies haven’t become real zombies since the premiere The Walking Dead.

7 Senseless Artificial Intelligence

The use of artificial intelligence in sci-fi stories will never go out of style, in part because it is something scientists study and experiment with on a regular basis. However, it always seems when robots become too smart, too advanced, or too intuitive that their definitions of being better than humans are always cruel and unreasonable.

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For some reason, robots tend to go the Ultron route when it comes to being more advanced than their human creators. If robots were really sophisticated, it makes sense that they would be more reasonable, empathetic, and understand the human condition. Granted that level of thinking would take a pretty big leap of faith to establish, but hyper-intelligence doesn’t mean lack of understanding.

6 Hyper Intelligent = Cold And Heartless

Star Trek Discovery Sarek James Frain Vulcan Katra

Jumping from the previous statement, it always seems that hyper-intelligent beings are always cold, all-directed, and serious without being patient for sentient beings who dare to show their emotions. Intelligence doesn’t mean the absence of emotion, but it seems the sci-fi genre has made it the standard.

While characters like Star Trek Vulcans may be popular, growing out of irrational emotions. Just because a character or being has intelligence or understanding beyond human understanding, doesn’t mean they don’t have compassion, empathy, or such feelings.

5 Hostile Creator/Creation Relationship

Separate image showing Frankenstein and John Clare at Penny Dreadful

Call it the precedent set by Mary Shelley or call it a cautionary tale, but it seems every time life, artificial intelligence, or a combination of the two are created that Hass’s creator must be punished in some form or another. On the one hand, fiddling with things like life and death forces was appropriate, but it seemed to happen almost every time.

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From Victor Frankenstein and his monsters to Tony Stark and Ultron, every time something or someone is made in the lab, someone has to suffer for it. Sometimes it feels like the days of characters like Astro Boy and Vision working their way out of the genre.

4 Inexplicable Psychic Child

Midwich Child in the Cursed Village 1960 Version

When it comes to sci-fi cliches, psychic kids are one of the biggest and most used. Although the genre has improved with its use in recent years, just take a look at Eleven in Stranger ThingsThe presence of a psychic child is one of the greatest plot devices seen in many speculative stories.

Stephen King, one of the greatest writers of the modern era, is deeply at fault in this regard. Whether it’s something as simple as some form of precognition or the innate ability to control things with their minds, abilities seem to always evolve with the younger generation.

3 It’s All Simulation

It’s a science fiction answer to the “everything is a dream” cliché, but it happens more often than Sam thinks. Sure, that’s a great trope if the makers want to play with audience perception, but viewers start to wonder if any plot event is important when it starts to overplay.

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It’s amazing and it hurts when a movie like Truman Show do it, but with the invention of films like Matrix, it begins to lose its luster. While movies like Ready Player One trying to be original with it, simulation and simulated life have become overused.

2 It’s the Government’s Fault

To be honest, it is very easy to blame the government for a series of problems in various media. However, that doesn’t mean it’s not overdone at times. While totalitarian fascists and overzealous theocracies will always be the ideal bad guys, it becomes a bit of an exaggeration when people in power “do the wrong things for the right reasons.”

Government experiments, government weapons, government exploits, and government initiatives are all responsible for some form of sci-fi plot. While it makes for good storytelling if handled the right way, it can sometimes be the easy way out.

1 Capitalism/Business Is The Real Villain

If government agencies or political figures are not available to be the main villains of the plot, there is no harm in relying on pure corporate greed. Ambitious corporations, businesses, and capitalists of various old parks have become more sci-fi villains than many can count.

Greed is bad, everyone knows it and sci-fi doesn’t need to preach too much about it. They may not be all Weyland-Yutani, but the idea of ​​corporations and capitalism as masterminds of the whole ordeal has become too predictable in recent times. Like many tropes in the sci-fi genre, creators don’t have to rely on them just because they’re hanging fruit.

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Separate image shows Umbridge and Malfoy in Harry Potter.

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